The Drawing Center, New York

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The Intuitionists, Drawing Center, New York

11.07.2014-24.08.2014, 35 Wooster St, New York, NY 10013

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Maess Anand, The perfect elevator waits, 120x 150 cm, 2014

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The Intuitionists curated by Heather Hart, Steffani Jemison, and Jina Valentine.

The Intuitionists  is a collaborative artist project inspired by Colson Whitehead’s 1999 novel of the same name’ work of speculative fiction that explores the relationships between progress, technology, and difference. The exhibition considers how the collection, the database, and the aggregate serve as complementary models for the organization of information and objects in flux.

The Drawing Center was founded in 1977 and is one of the most important institutions in the world devoted to drawing. The institution presents drawings by both historical and contemporary artists.

“The Intuitionist is a 1999 speculative fiction novel by American writer Colson Whitehead.The Intuitionist takes place in a city (implicitly, New York) full of skyscrapers and other buildings requiring vertical transportation in the form of elevators. The time, never identified explicitly, is one when black people are called “colored” and integration is a current topic. The protagonist is Lila Mae Watson, an elevator inspector of the “Intuitionist” school. The Intuitionists practice an inspecting method by which they ride in an elevator and intuit the state of the elevator and its related systems. The competing school, the “Empiricists”, insists upon traditional instrument-based verification of the condition of the elevator. Watson is the second black inspector and the first black female inspector in the city” // Wikipedia

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artists: Shaun Acton, Valerio Berruti, A.J. Bocchino, Dana Boussard, Hannah Burr, Maria Bussman, Enrique Chagoya, Joyce Chan, Catalina Chervin, Hannah Cole, Kenny Cole, Vincent Colvin, Hollis Cooper, Cui Fei, Gabriel Delgado, Wendy DesChene, Asya Dodina and Slava Polishchuk, Debra Drexler, Derek Dunlop, Elisabeth Eberle, Lisa Endriss, Rodney Ewing, Tory Fair, Douglas Florian, Nicholas Fraser, Carl Fudge, Brett Goodroad, Barry Gray, Stephen Grossman,

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Nathan Haenlein, Patrick Earl Hammie, Skowmon Hastanan, HENSE, Elizabeth Hoak-Doering, Cynthia Ona Innis, Tatiana Istomina, Hedwige Jacobs, Chiaki Kamikawa, Manfred Kirschner, Kimia Kline, Nicholas Knight, Kang Joo Lee, Kate Tessa Lee, Cynthia Lin, Hung Liu, Maess, Mario Marzan, Linn Meyers, Nyeema Morgan, Paul Morrison, Seamus Liam O’Brien, Alison Owen, Jenny Perlin, Mel Prest, Jo Ann Rothschild, Anna Schachte, Fausto Sevila, Jill Shoffiet, Thomas Slaughter, Chris Spinelli, Karen Tam, Caroline Tavelli-Abar, Scott Teplin, Jen Urso, Kris Van Dessel, Kara Walker, and Margaret Withers

Supported by Adam Mickiewicz Institute

Article at Culture.pl in Polish

The Drawing Center

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“The Intuitionist is a 1999 speculative fiction novel by American writer Colson Whitehead.The Intuitionist takes place in a city (implicitly, New York) full of skyscrapers and other buildings requiring vertical transportation in the form of elevators. The time, never identified explicitly, is one when black people are called “colored” and integration is a current topic,The protagonist is Lila Mae Watson, an elevator inspector of the “Intuitionist” school. The Intuitionists practice an inspecting method by which they ride in an elevator and intuit the state of the elevator and its related systems. Contemporary drawing, drawing center open sessions,The competing school, the “Empiricists”,the drawing center nyc, insists upon traditional instrument-based verification of the condition of the elevator. Watson is the second black inspector and the first black female inspector in the city” // Wikipedia,

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